Eric Clapton
I mean, it didn't matter to me that there were people, it didn't matter that I was shy Just the sound was so captivating that it helped me to get rid of those inhibitions.
By the time Eric Clapton launched his solo career
with the release of his self-titled debut album in mid-1970, he was long
established as one of the world's major rock stars due to his group
affiliations -- the Yardbirds, John Mayall's Bluesbreakers, Cream, and Blind Faith -- which had
demonstrated his claim to being the best rock guitarist of his generation. That it took Clapton so long to go out on his own,
however, was evidence of a degree of reticence unusual for one of his stature.
And his debut album, though it spawned the Top 40 hit "After
Midnight," was typical of his self-effacing approach: it was, in effect,
an album by the group he had lately been featured in, Delaney & Bonnie &
Friends.
Not surprisingly, before his solo
debut had even been released, Clapton had retreated from his solo stance,
assembling from the D&B&F ranks the personnel for a
group, Derek & the Dominos, with whom he played for most of
1970 and recorded the landmark album Layla and Other Assorted Love
Songs. Clapton was largely inactive in 1971
and 1972, due to heroin addiction, but he performed a comeback concert at the
Rainbow Theatre in London on January 13, 1973, resulting in the album Eric Clapton's Rainbow Concert (September 1973). But Clapton did not launch a sustained solo
career until July 1974, when he released 461 Ocean Boulevard, which topped the charts and spawned
the number one single "I Shot the Sheriff."
The persona Clapton established over the next
decade was less that of guitar hero than arena rock star with a weakness for
ballads. The follow-ups to 461 Ocean Boulevard, There's One in Every Crowd(March 1975), the live E.C. Was Here (August 1975), and No Reason to Cry (August 1976), were less
successful. But Slowhand (November 1977), which featured
both the powerful "Cocaine" (written by J.J. Cale, who had also written "After
Midnight") and the hit singles "Lay Down Sally" and
"Wonderful Tonight," was a million-seller. Its follow-ups, Backless (November 1978), featuring the
Top Ten hit "Promises," the live Just One Night (April 1980), and Another Ticket (February 1981), featuring the
Top Ten hit "I Can't Stand It," were all big sellers.
Clapton's popularity waned somewhat in the first
half of the '80s, as the albums Money and Cigarettes (February 1983), Behind the Sun (March 1985), and August (November 1986) indicated a
certain career stasis. But he was buoyed up by the release of the box set
retrospective Crossroads (April 1988), which seemed to
remind his fans of how great he was. Journeyman (November 1989) was a return to
form. It would be his last new studio album for nearly five years, though in
the interim he would suffer greatly and enjoy surprising triumph. On March 20,
1991, Clapton's four-year-old son was killed in a
fall. While he mourned, he released a live album, 24 Nights (October 1991), culled from his
annual concert series at Royal Albert Hall in London, and prepared a movie
soundtrack, Rush(January 1992). The soundtrack featured a song written
for his son, "Tears in Heaven," that became a massive hit single.
In March 1992, Clapton recorded a concert for MTV
Unplugged which, when released on an album in August, became his
biggest-selling record ever. Two years later, Clapton returned with a blues album, From the Cradle, which became one of his most
successful albums, both commercially and critically. Crossroads, Vol. 2: Live in the
Seventies, a box set chronicling
his live work from the '70s, was released to mixed reviews. In early 1997, Clapton, billing himself by the pseudonym
"X-Sample," collaborated with
keyboardist/producer Simon Climie as the ambient new age and
trip-hop duo T.D.F. The duo released Retail Therapy to mixed reviews in early 1997.
Clapton retained Climie as his collaborator for Pilgrim, his first album of new material
since 1989's Journeyman. Pilgrim was greeted with decidedly
mixed reviews upon its spring 1998 release, but the album debuted at number
four and stayed in the Top Ten for several weeks on the success of the single
"My Father's Eyes." In 2000, Clapton teamed up with old friend B.B. King on Riding with the King, a set of blues standards and
material from contemporary singer/songwriters. Another solo outing, entitled Reptile, followed in early 2001. Three years
later, Clapton issued Me and Mr. Johnson, a collection of tunes honoring the
Mississippi-born bluesman Robert Johnson. Released in 2005, Back Home, Clapton's 14th album of original material, reflected
his ease with fatherhood. Also in 2005, Clapton unexpectedly teamed with Jack Bruce and Ginger Baker for a Cream reunion that included May
concerts at London’s Royal Albert Hall and shows at New York’s Madison Square
Garden in October, with the former being compiled for a live release that fall.
This turned out to be the first of
many reunions and looks back for Clapton. In 2006, he elevated the profile of
his latter-day idol J.J. Cale by recording an album-long duet, The Road to Escondido. The following year he released his
autobiography -- accompanied by a new career compilation called The Complete Clapton -- which focused more on his
trials with addiction and subsequent recovery than his musical career. In 2008, Clapton began playing regular shows
with his old Blind Faith partner Steve Winwood, gigs that were captured on the 2009
double-live set Live from Madison Square Garden. Winwood also appeared on Clapton’s next studio album, 2010’s Clapton, which was a collaboration-heavy
affair also featuring Cale, Sheryl Crow, Allen Toussaint, and Wynton Marsalis. In 2011, Clapton returned the favor to Marsalis by collaborating on the live
concert album Play the Blues: Live from Jazz at
Lincoln Center.
Clapton parted ways with
Warner after Clapton, and he chose to set
up his own Bushbranch imprint on Gary
Hoey's independent label Surfdog. His first album for the
label was Old
Sock, largely a collection of old songs the guitarist
loved.
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